{"id":8236,"date":"2015-05-13T15:24:27","date_gmt":"2015-05-13T20:24:27","guid":{"rendered":"https:\/\/blogs.wnpt.org\/mediaupdate\/?p=8236"},"modified":"2015-05-13T16:39:04","modified_gmt":"2015-05-13T21:39:04","slug":"1971-documentary","status":"publish","type":"post","link":"https:\/\/blogs.wnpt.org\/mediaupdate\/2015\/05\/13\/1971-documentary\/","title":{"rendered":"&#8216;1971&#8217; documentary premieres May 18 on Independent Lens"},"content":{"rendered":"<p>Premiering <strong>Monday, May 18,<\/strong> on <em>Independent Lens, <strong>1971<\/strong><\/em> is a suspenseful documentary with all the intrigue and tension of a classic heist movie. The film airs at <strong>9 p.m. on NPT<\/strong> and has two Nashville connections: Producer Katy Chevigny recently relocated here and much of the archival footage used in the film was found through Vanderbilt University\u2019s Television News Archive.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_8243\" aria-describedby=\"caption-attachment-8243\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blogs.wnpt.org\/mediaupdate\/wp-content\/uploads\/2015\/05\/1971-image.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-8243 size-full\" src=\"https:\/\/blogs.wnpt.org\/mediaupdate\/wp-content\/uploads\/2015\/05\/1971-image.jpg\" alt=\"    Keith Forsyth (played by Daniel S. Taylor) reads a stolen document. Credit: Courtesy of Andreas Burgess\" width=\"500\" height=\"280\" srcset=\"https:\/\/blogs.wnpt.org\/mediaupdate\/wp-content\/uploads\/2015\/05\/1971-image.jpg 500w, https:\/\/blogs.wnpt.org\/mediaupdate\/wp-content\/uploads\/2015\/05\/1971-image-300x168.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption id=\"caption-attachment-8243\" class=\"wp-caption-text\">Keith Forsyth (played by Daniel S. Taylor) reads a stolen document. Courtesy of Andreas Burgess<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><strong>The caper<\/strong><br \/>\nWhile most people have heard of the Watergate break-in that eventually took down a president, it wasn\u2019t the only significant Mid-Atlantic burglary in the early 1970s. On the night of March 8, 1971\u2014as Muhammad Ali battled Joe Frazier in a much-anticipated bout\u2014eight people broke into an F.B.I. field office in Media, Penn., and stealing every one of the agency\u2019s files. The documents revealed that the F.B.I., then still led by J. Edgar Hoover, was engaged in illegal surveillance of American citizens and was also attempting to infiltrate and\/or discredit organizations involved with civil rights, women\u2019s rights and other issues deemed problematic.<\/p>\n<p>Calling themselves the Citizens\u2019 Commission to Investigate the F.B.I., the burglars sent copies of their findings to members of Congress and the media; one recipient was <em>Washington Post<\/em> reporter Betty Medsger. Though the <em>Post<\/em> reported on the documents and there eventually was a congressional hearing based on them, the Media, Penn., burglary never became part of the nation\u2019s collective memory the way Watergate and other events of the turbulent late-1960s and early-1970s did.<\/p>\n<p>This is partly because though the F.B.I. launched a massive manhunt, the people involved in the burglary were never caught\u2014that was one aspect of the story that appealed to filmmaker Johanna Hamilton.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/video.wnpt.org\/viralplayer\/2365459906\" width=\"512\" height=\"376\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>The film<\/strong><br \/>\n<em><strong>1971<\/strong><\/em> is suspenseful and restrained, unfolding at a measured pace akin to that of <em>All the Presidents Men,<\/em> the 1976 film about the Watergate break-in. The film incorporates newsreel footage, contemporaneous photographs and interviews with the burglars.<\/p>\n<p>\u201cIt\u2019s such an improbable story,\u201d Hamilton said by phone from her home in New York. \u201cWe were solving one of the last mysteries from that time.\u201d Hamilton expressed interested in making a documentary about the break-in as soon as she heard about it from Medsger, who was researching a book on the story. \u201cI said to her, please let me know when you\u2019re ready to make the film,\u201d Hamilton said. \u201cAbout five years ago she phoned me up and we took it from there.\u201d<\/p>\n<p>One of the challenges Hamilton faced was how to make the story seem relevant and how to convey the drama of the incident and its aftermath. \u201cOn the one hand we wanted to telegraph the importance of the story up-front, but also we wanted to\u2026have people a little bit on the edge of their seats throughout,\u201d Hamilton explained. She also had to counter the absence of footage of the break-in, the planning sessions, etc., and chose to do so with reenactments (filmed by Maureen Ryan, whose work she admired on <em>Man on a Wire<\/em>).<\/p>\n<p>\u201cThere\u2019s still a little bit of a scoop element to\u201d the film, producer Katy Chevigny said over coffee in Nashville recently. (Chevigny and her family relocated to Nashville this past February.)<\/p>\n<p>\u201cI\u2019m so used to this film being shrouded in secrecy,\u201d Chevigny said as she talked about how Hamilton revealed the project to her. \u201cShe said I\u2019ve got this amazing story, it\u2019s really secret; I can\u2019t let anybody know about the film while I\u2019m making it.\u201d For Chevigny, who like Hamilton has long been interested in social justice, the film was irresistible. \u201cI knew it was going to be good. You don\u2019t always know that with a film,\u201d Chevigny said, \u201cbut I was like, this is going to be good.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Premiering Monday, May 18, on Independent Lens, 1971 is a suspenseful documentary with all the intrigue and tension of a classic heist movie. The film airs at 9&hellip;<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_links_to":"","_links_to_target":""},"categories":[48,631],"tags":[2150,2333,2151,2148,2322,2149],"class_list":["post-8236","post","type-post","status-publish","format-standard","hentry","category-documentary","category-independent-lens","tag-betty-medsger","tag-independent-lens","tag-johanna-hamilton","tag-katy-chevigny","tag-vanderbilt-university","tag-watergate"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&#039;1971&#039; documentary premieres May 18 on Independent Lens - Nashville PBS Media Update<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.wnpt.org\/mediaupdate\/2015\/05\/13\/1971-documentary\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&#039;1971&#039; documentary premieres May 18 on Independent Lens - Nashville PBS Media Update\" \/>\n<meta property=\"og:description\" content=\"Premiering Monday, May 18, on Independent Lens, 1971 is a suspenseful documentary with all the intrigue and tension of a classic heist movie. 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