{"id":4319,"date":"2022-04-07T00:04:00","date_gmt":"2022-04-07T05:04:00","guid":{"rendered":"https:\/\/blogs.wnpt.org\/arts\/?p=4319"},"modified":"2022-05-26T15:25:47","modified_gmt":"2022-05-26T20:25:47","slug":"lucy-negro-redux-nashville-ballet-arts-break","status":"publish","type":"post","link":"https:\/\/blogs.wnpt.org\/arts\/lucy-negro-redux-nashville-ballet-arts-break\/","title":{"rendered":"Lucy Negro Redux, Nashville Ballet"},"content":{"rendered":"\n<p>Lucy Negro Redux is an original ballet by Nashville Ballet inspired by the work of Nashville native Caroline Randall Williams. Created by Artistic Director\/Choreographer Paul Vasterling, the ballet combines dance and Williams\u2019 recitation of her poems, a theory that Shakespeare\u2019s \u201cDark Lady\u201d sonnets were about a woman of color. Grammy-winning artist Rhiannon Giddens composed and performs the score.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"652\" height=\"367\" src=\"https:\/\/www.youtube.com\/embed\/Z68AnbbOGPo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" data-id=\"4326\" src=\"https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0003_Nashville-Ballet_frame-grab-3.jpg\" alt=\"Lucy Negro Redux-Nashville Ballet\" class=\"wp-image-4326\" srcset=\"https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0003_Nashville-Ballet_frame-grab-3.jpg 1920w, https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0003_Nashville-Ballet_frame-grab-3-300x169.jpg 300w, https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0003_Nashville-Ballet_frame-grab-3-1024x576.jpg 1024w, https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0003_Nashville-Ballet_frame-grab-3-768x432.jpg 768w, https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0003_Nashville-Ballet_frame-grab-3-1536x864.jpg 1536w, https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0003_Nashville-Ballet_frame-grab-3-1080x608.jpg 1080w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" data-id=\"4325\" src=\"https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0002_Nashville-Ballet_frame2.jpg\" alt=\"Lucy Negro Redux-Nashville Ballet\" class=\"wp-image-4325\" srcset=\"https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0002_Nashville-Ballet_frame2.jpg 1920w, https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0002_Nashville-Ballet_frame2-300x169.jpg 300w, https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0002_Nashville-Ballet_frame2-1024x576.jpg 1024w, https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0002_Nashville-Ballet_frame2-768x432.jpg 768w, https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0002_Nashville-Ballet_frame2-1536x864.jpg 1536w, https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0002_Nashville-Ballet_frame2-1080x608.jpg 1080w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Lucy Negro Redux is an original ballet by Nashville Ballet inspired by the work of Nashville native Caroline Randall Williams. Created by Artistic Director\/Choreographer Paul Vasterling, the ballet combines dance and Williams\u2019 recitation of her poems, a theory that Shakespeare\u2019s \u201cDark Lady\u201d sonnets were about a woman of color. Grammy-winning artist Rhiannon Giddens composed and&hellip;<\/p>\n","protected":false},"author":13,"featured_media":4324,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"Lucy Negro Redux - Nashville Ballet | Arts Break | NPT","_seopress_titles_desc":"Nashville Ballet&#039;s Paul Vasterling &amp; Caroline R Williams discuss Lucy Negro Redux ballet.","_seopress_robots_index":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[455],"tags":[1110,642,1111,540,541,673,643],"class_list":["post-4319","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-break","tag-lucy-negro-redux","tag-nashville","tag-nashville-ballet-arts-break","tag-nashville-public-television","tag-npt","tag-pbs","tag-tennessee"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/blogs.wnpt.org\/arts\/wp-content\/uploads\/2022\/03\/fixed_0001_Nashville-Ballet_framegrab1.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7wWI3-17F","_links":{"self":[{"href":"https:\/\/blogs.wnpt.org\/arts\/wp-json\/wp\/v2\/posts\/4319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.wnpt.org\/arts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.wnpt.org\/arts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.wnpt.org\/arts\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.wnpt.org\/arts\/wp-json\/wp\/v2\/comments?post=4319"}],"version-history":[{"count":5,"href":"https:\/\/blogs.wnpt.org\/arts\/wp-json\/wp\/v2\/posts\/4319\/revisions"}],"predecessor-version":[{"id":4330,"href":"https:\/\/blogs.wnpt.org\/arts\/wp-json\/wp\/v2\/posts\/4319\/revisions\/4330"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.wnpt.org\/arts\/wp-json\/wp\/v2\/media\/4324"}],"wp:attachment":[{"href":"https:\/\/blogs.wnpt.org\/arts\/wp-json\/wp\/v2\/media?parent=4319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.wnpt.org\/arts\/wp-json\/wp\/v2\/categories?post=4319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.wnpt.org\/arts\/wp-json\/wp\/v2\/tags?post=4319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}